“So much for the fortified heights; but the hollows too have their own story. But how the time passes! We must hurry home, or your uncle will wonder what has become of us.”

He started with long steps towards Lesser Hill, and Adam was soon furtively running in order to keep up with him.

“Now, there is no hurry, but so soon as you are both ready we shall start,” Mr. Salton said when breakfast had begun. “I want to take you first to see a remarkable relic of Mercia, and then we’ll go to Liverpool through what is called ‘The Great Vale of Cheshire.’ You may be disappointed, but take care not to prepare your mind”—this to Adam—“for anything stupendous or heroic. You would not think the place a vale at all, unless you were told so beforehand, and had confidence in the veracity of the teller. We should get to the Landing Stage in time to meet the WEST AFRICAN, and catch Mr. Caswall as he comes ashore. We want to do him honour—and, besides, it will be more pleasant to have the introductions over before we go to his FETE at the Castle.”

The carriage was ready, the same as had been used the previous day, but there were different horses—magnificent animals, and keen for work. Breakfast was soon over, and they shortly took their places. The postillions had their orders, and were quickly on their way at an exhilarating pace.

Presently, in obedience to Mr. Salton’s signal, the carriage drew up opposite a great heap of stones by by the wayside.

“Here, Adam,” he said, “is something that you of all men should not pass by unnoticed. That heap of stones brings us at once to the dawn of the Anglian kingdom. It was begun more than a thousand years ago—in the latter part of the seventh century—in memory of a murder. Wulfere, King of Mercia, nephew of Penda, here murdered his two sons for embracing Christianity. As was the custom of the time, each passer-by added a stone to the memorial heap. Penda represented heathen reaction after St. Augustine’s mission. Sir Nathaniel can tell you as much as you want about this, and put you, if you wish, on the track of such accurate knowledge as there is.”

Whilst they were looking at the heap of stones, they noticed that another carriage had drawn up beside them, and the passenger—there was only one—was regarding them curiously. The carriage was an old heavy travelling one, with arms blazoned on it gorgeously. The men took off their hats, as the occupant, a lady, addressed them.

“How do you do, Sir Nathaniel? How do you do, Mr. Salton? I hope you have not met with any accident. Look at me!”

As she spoke she pointed to where one of the heavy springs was broken across, the broken metal showing bright. Adam spoke up at once:

“Oh, that can soon be put right.”

“Soon? There is no one near who can mend a break like that.”

“I can.”

“You!” She looked incredulously at the dapper young gentleman who spoke. “You—why, it’s a workman’s job.”

The wine was red wine, and had stained the ground of the narrow street in the suburb of Saint Antoine, in Paris, where it was spilled. It had stained many hands, too, and many faces, and many naked feet, and many wooden shoes. The hands of the man who sawed the wood, left red marks on the billets; and the forehead of the woman who nursed her baby, was stained with the stain of the old rag she wound about her head again. Those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth; and one tall joker so besmirched, his head more out of a long squalid bag of a nightcap than in it, scrawled upon a wall with his finger dipped in muddy wine–lees—BLOOD.

The time was to come, when that wine too would be spilled on the street–stones, and when the stain of it would be red upon many there.

And now that the cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy–cold, dirt, sickness, ignorance, and want, were the lords in waiting on the saintly presence–nobles of great power all of them; but, most especially the last. Samples of a people that had undergone a terrible grinding and regrinding in the mill, and certainly not in the fabulous mill which ground old people young, shivered at every corner, passed in and out at every doorway, looked from every window, fluttered in every vestige of a garment that the wind shook. The mill which had worked them down, was the mill that grinds young people old; the children had ancient faces and grave voices; and upon them, and upon the grown faces, and ploughed into every furrow of age and coming up afresh, was the sigh, Hunger. It was prevalent everywhere. Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker’s shelves, written in every small loaf of his scanty stock of bad bread; at the sausage–shop, in every dead–dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.

Its abiding place was in all things fitted to it. A narrow winding street, full of offence and stench, with other narrow winding streets diverging, all peopled by rags and nightcaps, and all smelling of rags and nightcaps, and all visible things with a brooding look upon them that looked ill. In the hunted air of the people there was yet some wild–beast thought of the possibility of turning at bay. Depressed and slinking though they were, eyes of fire were not wanting among them; nor compressed lips, white with what they suppressed; nor foreheads knitted into the likeness of the gallows–rope they mused about enduring, or inflicting. The trade signs (and they were almost as many as the shops) were, all, grim illustrations of Want. The butcher and the porkman painted up, only the leanest scrags of meat; the baker, the coarsest of meagre loaves. The people rudely pictured as drinking in the wine–shops, croaked over their scanty measures of thin wine and beer, and were gloweringly confidential together. Nothing was represented in a flourishing condition, save tools and weapons; but, the cutler’s knives and axes were sharp and bright, the smith’s hammers were heavy, and the gunmaker’s stock was murderous. The crippling stones of the pavement, with their many little reservoirs of mud and water, had no footways, but broke off abruptly at the doors. The kennel, to make amends, ran down the middle of the street—when it ran at all: which was only after heavy rains, and then it ran, by many eccentric fits, into the houses. Across the streets, at wide intervals, one clumsy lamp was slung by a rope and pulley; at night, when the lamplighter had let these down, and lighted, and hoisted them again, a feeble grove of dim wicks swung in a sickly manner overhead, as if they were at sea. Indeed they were at sea, and the ship and crew were in peril of tempest.